"Hi-kò͘-lūi" pán-pún chi-kan bô-kāng--ê tē-hng
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Tē 3 chōa:
Pún lūi chhòng-chok chiàu tong-tāi ê ì-gī, tû-liáu bûn-chiong í-gōa, mā pau-koat hiān-tiûⁿ piáu-ián, iáⁿ-hì, tiān-sī-kio̍k, tiān-náu iû-hì, [[kak-sek poaⁿ-ián iû-hì]] téng khoán. Nā khah goân-sú ê ì-sù sī chí bûn-ha̍k ê lūi-hêng, pau-koat [[tn̂g-phiⁿ siáu-soat]] (''novel''), [[novella]], [[té-phiⁿ kò͘-sū]], kio̍k-pún téng lūi.
== Hi-kò͘ kap hui-hi-kò͘ ê hâm-hô͘-sèng ==
Tiām chi̍t kóa chêng-hêng hi-kò͘/hui-hi-kò͘ ê chha-pia̍t sī ài-māi--ê, chi̍t khoán ài-māi-sèng mā sī chi̍t kóa [[hō͘-hiān-tāi bûn-ha̍k]] ê sêng-hun, pí-lūn chok-chiá khó-lêng te̍k-pia̍t piáu-hiān "sióng-siōng ê sū-si̍t". Koh ū chhiūⁿ [[Michael Orlofsky]] ēng "sú-ha̍k hi-kò͘" (''historiografiction'') chit jī lâi piáu-ta̍t le̍k-sú-ha̍k kiam hi-kò͘ ê saⁿ-lām.<ref>Iftekharuddin, Frahat (ed.). (2003). ''[https://books.google.com/books?id=61w4hxtXnFUC&dq The Postmodern Short Story: Forms and Issues]''. Greenwood Publishing Group. p. 23.</ref>
== Chham-khó ==
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