tóng-àn:The Kitchen Maid (Rembrandt Harmensz. van Rijn) - Nationalmuseum - 17587.tif

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Rembrandt van Rijn: The Kitchen Maid  wikidata:Q18089111 reasonator:Q18089111
作家
Rembrandt van Rijn  (1606–1669)  wikidata:Q5598 s:en:Author:Rembrandt Harmenszoon van Rijn q:en:Rembrandt
 
Rembrandt van Rijn
別名
Rembrandt van Rijn, 出生名:Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn
描述 Dutch畫家, 版畫家 kap製圖員
出生/逝世日期 1606年7-goe̍h15日 在維基數據編輯 1669年10-goe̍h4日 在維基數據編輯
出生/逝世地點 萊頓 Amsterdam
作品年代 約1625年~1669年間
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902
創作地點
萊頓 (1620-1624), Amsterdam (1624-1625), 萊頓 (1625-1633), Amsterdam (1631-1669)
Sìn-kù khòng-chè
artist QS:P170,Q5598
image of artwork listed in title parameter on this page
標題
English: "The Kitchen Maid"
Svenska: "Kökspigan"
物體類型 ōe-chok
object_type QS:P31,Q3305213
藝術類型 肖像 在維基數據編輯
Soat-bêng
English: “The Kitchen Maid” is considered by many to be one of Rembrandt’s most representative works. The warm shades of red, brown and yellow, and the vivid depiction of the girl, make this one of his true masterpieces. One might assume that Rembrandt had a special person, perhaps someone in his household, as a model, someone he knew well, since he has given her such a distinct character. However it was not his Hendrickje, the woman he was living with in 1651. She was 25 years old by then and the girl in “The Kitchen Maid” is probably somewhat younger. In the middle of the 17th century, Rembrandt painted a series of paintings on the borderline between portraits and genre pictures of young women. Nationalmuseum’s collection includes a series of drawings with a similar composition, where the model is resting on her elbows.
Svenska: Kökspigan betraktas av många som ett av Rembrandts mest representativa verk. De varma färgtonerna i rött, brunt och gult samt den levande framställningen av flickan gör den till ett av hans verkliga mästerverk. Man antar att Rembrandt har haft en speciell person, kanske någon i hans hushåll som modell, någon som han kände väl, eftersom han givit henne en sådan tydlig karaktär. Men det är inte hans Hendrickje, den kvinna som han levde ihop med 1651, hon var 25 år gammal då och Kökspigan är förmodligen något yngre. I mitten av 1600-talet målade Rembrandt en serie målningar på gränsen mellan porträtt och genrebild av unga flickor. I Nationalmuseums samlingar finns en serie teckningar med liknande komposition där modellen vilar armbågarna mot ett underlag.
原始说明文字
InfoField
English: “The Kitchen Maid” is considered by many to be one of Rembrandt’s most representative works. The warm shades of red, brown and yellow, and the vivid depiction of the girl, make this one of his true masterpieces. One might assume that Rembrandt had a special person, perhaps someone in his household, as a model, someone he knew well, since he has given her such a distinct character. However it was not his Hendrickje, the woman he was living with in 1651. She was 25 years old by then and the girl in “The Kitchen Maid” is probably somewhat younger. In the middle of the 17th century, Rembrandt painted a series of paintings on the borderline between portraits and genre pictures of young women. Nationalmuseum’s collection includes a series of drawings with a similar composition, where the model is resting on her elbows.
Svenska: Kökspigan betraktas av många som ett av Rembrandts mest representativa verk. De varma färgtonerna i rött, brunt och gult samt den levande framställningen av flickan gör den till ett av hans verkliga mästerverk. Man antar att Rembrandt har haft en speciell person, kanske någon i hans hushåll som modell, någon som han kände väl, eftersom han givit henne en sådan tydlig karaktär. Men det är inte hans Hendrickje, den kvinna som han levde ihop med 1651, hon var 25 år gammal då och Kökspigan är förmodligen något yngre. I mitten av 1600-talet målade Rembrandt en serie målningar på gränsen mellan porträtt och genrebild av unga flickor. I Nationalmuseums samlingar finns en serie teckningar med liknande komposition där modellen vilar armbågarna mot ett underlag.
Ji̍t-kî 1651年
date QS:P571,+1651-00-00T00:00:00Z/9
表現方法 布面油畫
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
尺寸
  • 高度: 78厘米; 寬度: 64厘米
    dimensions QS:P2048,78U174728
    dimensions QS:P2049,64U174728
  • Framed: 高度: 105厘米; 寬度: 92厘米; 水平深度: 8厘米
    dimensions QS:P2048,105U174728
    dimensions QS:P2049,92U174728
    dimensions QS:P5524,8U174728
institution QS:P195,Q842858
登錄號
NM 584
展覽史
題字
Svenska: Signerad: Rembrandt. f.1651
參考文獻
來源/攝影者 Nationalmuseum
授權允准
(Bô siŏh-huòi sāi ciā ùng-giông)

此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域,是因下列原因:

Public domain

本作品作者於1669年逝世,在其來源國以及其他著作權期限是作者逝世後100年或以下的國家與地區屬於公有領域


你必須增加美國公有領域標籤顯示為何這個作品在美國屬於公有領域。

而此數位重製照片已經以下述授權條款釋出:

Public domain Nationalmuseum has placed those images in the Public Domain which have been acquired exclusively by digital reproduction of those works of art that are no longer protected by copyright. Nationalmuseum does not consider that a new copyright emerges for the reproduction.

Nationalmuseum has stated some guidelines below what we consider best practice when using images in the Public Domain. The guidelines below are based on the Europeanas Public Domain Usage Guidelines, but there is no legal liability to comply to them.

  • When you use a public domain work please credit the author or creator.
  • Please also credit Nationalmuseum and the photographer, who created the digital reproduction and made it available.
  • When you use or modify a public domain work you should not attribute the changes to the creator or the provider of the work.

You can easily link to the object as a source, otherwise we recommend the following:

Artist: Title, Date, Nationalmuseum (Photo: photographer’s name), public domain

Nationalmuseum

在多數司法管轄區,忠實重製平面藝術作品的照片,不具有著作權。維基媒體基金會的立場認為,這些重製作品在美國不具有著作權(參見Commons:再利用PD-Art照片)。在這些司法管轄區,此重製作品實際上已經屬於公有領域,因此上述的授權條款並非強制性質。

說明

添加單行說明來描述出檔案所代表的內容
Young Girl at the Window, 1654

在此檔案描寫的項目

描繪內容 繁體中文

數位描繪物 繁體中文

著作權狀態 繁體中文

公有領域 繁體中文

作品主題 繁體中文

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