tóng-àn:1911 Britannica - Lace 3.jpg
Seng khoàⁿ chiàm-liōng: 581 × 599 siōng-sò͘. Kî-thaⁿ--ê kái-sek-tō͘: 233 × 240 siōng-sò͘ | 465 × 480 siōng-sò͘ | 744 × 768 siōng-sò͘ | 1,037 × 1,070 siōng-sò͘.
Choân kái-sek-tō͘ (1,037 × 1,070 siōng-sò͘ , tóng-àn chiàm-liōng: 303 KB, MIME luī-hêng: image/jpeg)
Tóng-àn le̍k-sú
Chhi̍h ji̍t-kî/sî-kan, khoàⁿ hit sî-chūn--ê tóng-àn.
Ji̍t-kî/Sî-kan | Suè-tiunn-tôo | Tshùn-tshioh | Iōng-chiá | Chù-kái | |
---|---|---|---|---|---|
hiān-chāi | 2012-nî 2-goe̍h 14-ji̍t (pài-jī) 14:52 | 1,037 × 1,070(303 KB) | Keith Edkins | Crop of top of text line | |
2012-nî 2-goe̍h 14-ji̍t (pài-jī) 14:47 | 1,037 × 1,085(307 KB) | Keith Edkins | =={{int:filedesc}}== {{Information |description={{en|1=Fig. 3.--THREE VANDYKE OR DENTATED BORDERS OF ITALIAN LACE OF THE LATE 16th CENTURY. Style usually called "Reticella" on account of the patterns being based on repeated squares or reticulations. The t |
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