Giân-gí tùi lâm-sek kap le̍k-sek ê hun-piat
(Tùi Giân-gú tùi nâ-sek kap le̍k-sek ê khu-pia̍t choán--lâi)
Chin chē khoán giân-gí ê sek-chhái sû-lūi tang-tiong ū kóa ēng-gí, pí-lūn Bân-lâm-gí kóng ê "chheⁿ", sī thang ēng lâi chí pau-koat "lâm-sek" kap "le̍k-sek" (lâm/le̍k nn̄g jī pún-sin tāi-piáu tùi-siòng mā bô it-tēng) ê khah tōa hoān-ûi ê sek-tī.
Kok bûn-hòa ê jīn-ti ia̍h hō-miâ lóng bô sáⁿ tùi-tâng, ū-sî lâm/le̍k sī hông chò ki-pún ê khu-hun, m̄-koh tī àm-sek ê sî-chūn tio̍h lóng hō kâng miâ.
Àn-lē
siu-káiJi̍t-gí kap Bân-lâm-gí ê chheⁿ/chheng (青; tùi-tâng Ji̍t-gí it-poaⁿ sī ao) ē-tàng piáu-sī le̍k-sek, lâm-sek, o͘-sek, phú-sek téng léng-sek. Pí-lūn chheⁿ-soaⁿ (青山) sī phian le̍k-sek, chheng-thian (青天) sī phian lâm-sek, ao-uma (青馬) sī Ji̍t-gí o͘-bé ê ì-sù. Lēng-gōa, Ji̍t-gí ê tùi-èng "le̍k" ê midori (綠), mā ū-sî chí lâm-sek.[1]
Chham-chiàu
siu-kái- ↑ James M. Stanlaw (2007). "Japanese color terms, from 400 CE to the present: Literature, orthography, and language contact in light of current cognitive theory". Chū Robert E. Maclaury, Galina V. Paramei & Don Dedrick. Anthropology of Color. John Benjamins B.V. pp. 295–318.
Siong-koan
siu-kái- Sè-kài Sek-chhái Tiâu-cha (World Color Survey)
- Brent Berlin & Paul Kay (1969) Ki-pún Sek-chhái Ēng-gí (Basic Color Terms: Their Universality and Evolution)
- Giân-gí tùi âng-sek kap n̂g-sek ê hun-pia̍t
Pún bûn-chiuⁿ sī chi̍t phiⁿ phí-á-kiáⁿ. Lí thang tàu khok-chhiong lâi pang-chō͘ Wikipedia. |